We fill the Lunchbox&nbsp;with things that inspire our guest; a film, a director, a piece of art, an artist, a street, or a place.<img src="https://images.aposto.com/2022/5/4/1656580340286.png" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="0.67" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable">Esta Atölye<div align="center" fr-original-style="" style="box-sizing: border-box;"><hr size="0" width="100%" align="center" fr-original-style="" style="height: 0px; overflow: visible; border-bottom: none; clear: both; user-select: none; break-after: page; box-sizing: border-box;"></div>In Can Kılcıoğlu’s lunchbox, there’s a piece of Lynch’s mind, memories from Angelopoulos, “insistent absurdities” of Nordic cinema, and a discovery that reminds us of our old friend !f, İzmir air, some music, and a little bit of dance.<ul fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; list-style-position: inside; box-sizing: border-box;" type="disc"><li fr-original-style="" style="box-sizing: border-box;"><a fr-original-style="" href="https://mubi.com/tr/films/eraserhead" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">Eraserhead</a> (1977, David Lynch)</li><li fr-original-style="" style="box-sizing: border-box;"><a fr-original-style="" href="https://mubi.com/tr/films/eternity-and-a-day" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">Eternity and a Day</a>&nbsp;(1998, Theo Angelopoulos)</li><li fr-original-style="" style="box-sizing: border-box;"><a fr-original-style="" href="https://mubi.com/tr/films/songs-from-the-second-floor" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">Songs from the Second Floor</a> (2000, Roy Andersson)</li><li fr-original-style="" style="box-sizing: border-box;"><a fr-original-style="" href="https://mubi.com/tr/films/cremaster-3" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">Cremaster 3</a> (2002, Matthew Barney)</li><li fr-original-style="" style="box-sizing: border-box;">Bachar Mar-Khalife and Golshifteh Farahani's <a fr-original-style="" href="https://open.spotify.com/track/2JlQoqn32QZDs0XupMiJf2?si=f1ec156e626b4130" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">Yalla Tnam Nada</a></li><li fr-original-style="" style="box-sizing: border-box;">Orchestre Cappella Mediterranea from Jean-Philippe Rameau's opera Les Indes Galantes, and <a fr-original-style="" href="https://www.youtube.com/watch?v=TfQJZ76WR0U" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">Danse du Grand Calumet de la Paix</a> from Les danseurs de la Bintou Dembele Cie Rualité</li><li fr-original-style="" style="box-sizing: border-box;">The wooded road in between İzmir and Urla</li></ul>

Nordic cinema ile ilgili hikayeler